Here's what I'd like to fix:
Rotoscoping
hand emerging: match each frame up to cover the hands
bride emerging: same thing. big problems with the head and veil. dress also has problems
close up 1: get rid of waggling side hairs
Come, David: keep cutting frames apart and redo "sneaky peach face" frame completely.
heart clutching: Fix that sequence by putting one black layer behind it all to show where white bits around head are
Erika hands David the pen: Her dress is too white. bring down the overexposure to darken it up.
I need Parth to colour correct footage and export it in chunks so I can match frames up in After Effects.
For Flicks, I'd like a more simplified credit sequence at the end. Our names and what we did on one frame each, not multiples, and "Special Thanks to" in same place each screen so it flows.
I'm fixing up the project I did for BSA203, like I always intended to, with stop motion bookends.
Ashes to Gold
stop-motion sequences to be shot:
establishing the doll: minimum of 50 frames |
close up of the book: 50 frames |
close up of doll's face with chin tilting down: 62 frames |
book open and reading: 45 frames |
book opening #1: 75 frames |
scanning the book : 50 frames that can create a loop |
flipping page #2:75 frames to |
flipping page #3: 45 frames from Phantom Limbs |
flipping page #4: 75 frames from Medusa entry to shut book |
roughly 550 frames to shoot. in garage with darkness, lights and tables? Or at home where I can eat brownies when I want and natural light? Remember? slow, slow, movements, keep it steady and unrushed when changing poses.
Use doll, and both sizes of book because the bigger book's pages might turn better. Look downstairs to see if by some amazing coincidence, anything was saved from stop motion project last year. Maybe use porcelain doll's fixed up hand? At least get armature and recover with clay. The bed? Surely that's long gone.
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