Tuesday, February 28, 2017

BSA303, Cover letter advice from NPR, 28 February, 2017


Tell us a story
Here at NPR, that's what we do for a living. We tell stories, and the goal is to be interesting and exciting and make people want to keep on listening or reading. Stories have characters and movement ... well, you get the point. And so to introduce yourself to us right off the bat, and get us eager to know more about you, show us your stuff writing-wise.
Let's illustrate. Which of these, drawn from actual examples, would you rather read?
I am applying for the position of NPR Fall Intern. I believe that my strong interest in education topics and background in research qualify me for this internship. My undergraduate and postgraduate academic careers have taught me to critically analyze and synthesize large amounts of data quickly. I also have experience conducting research in corporate and office settings.
Or this:
The first time I ever went on live television, I was in Lahore, Pakistan. By the time I ended up in Pakistan this past January, being on camera wasn't new to me. I had several years of on-camera experience under my belt traveling around the world with an educational travel show for kids. When I lived in Los Angeles, I spent my hard-earned bartending money on TV hosting classes for a year.
If you're like us, you'd much rather read that second one. It was written by one of our actual interns, Kat Lonsdorf.
Don't bury the lead
We're always afraid that, hidden down below, somewhere after that awful first paragraph, there's a fascinating person with great ideas. And we might not ever find out. It's a basic lesson of journalistic writing: Put the good stuff right up there at the top. Grab us and hold us and keep us reading.
Ask not what your internship can do for you ...
To paraphrase John F. Kennedy, don't tell us what you'll get out of the internship, but what you can do for us.
Here's what you should avoid:
As a recent college graduate in the humanities, I believe I stand to benefit from the development of skills and career direction which an NPR internship provides.
Or,
I believe that NPR is the ideal internship for me as the position will allow me to explore ...
Aim at the right target
It's so nice when we get letters from people who've made it clear they're interested in our topic: how learning happens, and that you've read what we do. Slip in a comment that shows you've listened to a story or two, or checked out our blog. And maybe tell us — without a lot of big words and jargon — what you think about schools or teaching or education.
Instead of, "To Whom It May Concern," put our actual names (they're at the top of this story) in the heading of your letter.
** Extra bonus: a story idea or two that you'd like to see us write about.
Have someone else read your letter
We call this editing. Spellcheck is great, but take the next step: Have someone look over your letter to check for misspellings. They can find punctuation mistakes or long, clunky sentences. If you can't find someone, read your letter out loud.
In the journalism world, all these things are important. But they might help you in lots of other fields, too.

BSA306, Baraka, 28 February, 2017

Baraka (1992)
Ron Fricke, director
Samsara (2011) is the sequel
This film is a meditation on what it is to be human, our cultures, our works, and the environments we live in.   Having said that, though, there was a very slow series of shots of snow monkeys in a hot pool in winter.  Where they fit into all of this, I don't know.  Every shot could be the beginning of a different  movie; Baraka is a master class in cinematography.  Besides the sequences of cultures from around the world and beautiful, unspoiled nature, Baraka focuses it's lens on the terrible things that we do when we come together.  The sad treatment of chickens from birth to cramped cages is shown, multiple genocides from the 20th century and miles and miles of decommissioned American military planes in the dessert.  I recommend this movie to anyone who wonders how to frame interesting shots of people and things as well as anyone who would like to see the range of cultures on the planet that are not white, anglo-saxon or from the "First World".  Insomniacs would also enjoy Baraka's soothing pace and ambient music.









BSA324, rough concept art, 28 February, 2017

This setup makes me think of the great Bill Waterston and his comic strip Calvin and Hobbes.  Klohwii and Jellybean could have a similar relationship- imaginative brat and thoughtful comrade.

I'm drawing in my sketchbook so I can work at home and the edges of Jellybean's feet have gotten cut off.  When the Cintiq is hooked up, I'll fix them.

Klohwii is supposed to look like she's sliding down Jellybean's nose but I think it looks more like she's just falling down in front of him.  I may draw her interacting with him in another way.

 since the show is about Anger management and conflict resolution, I thought I should explore some angry moments with my characters.

Here's a rough sketch of Jellybean with death in his eyes.  

----------------------------------------------------------------------------------------------

BSA325, Idea development, 28 February, 2017

We split into groups and brainstormed ideas for the short film or doc we're going to make for the group project.  Kevin, Arpita, Doug, Ben Frew and I came up with 2 A3 pages of ideas.

These were the ones we liked the best:
Doc/mock of Nightlife of Invercargill: the Bar Luca spiked fence incident
How Shit is Our Main St.: The Disintegration of Country Towns
March of the Ducks in Queens' Park
Animators v. Filmies







and this is the idea that made it to the last group to be considered:
Doug and Ben's Road Trip: Two loveable guys in ludicrously out-of-season shorts decide that Invercargill needs some public art and decide to steal Gore's celebrated trout statue.  A dead prostitute, hordes of angry 5 year olds that have to be fought off and Mayor Shadbolt are only a few of the hazards the two most surmount before they achieve their goal.

The ideas that the other groups came up with that we're also considering are:
A town full of layabout robots annoy the local population to distraction.
Local legends like the extinct Haast eagle or taniwha terrorize a group of backpackers.
A serial killer lures a documentary crew to their deaths by offering them rare and sought after local knowledge.

I'm going to write up a treatment for the Road Trip.  I'd like to work on it with Kevin Reid because he's got a sense of the ridiculous and comic timing.  I don't know how to find Kevin after class hours, though- he kind of disappears.

There was great concern that this story would have too many locations.  It's all in how it's made, though.  What I propose is Thelma and Louise (1992) meet Fear and Loathing in Las Vegas (1998) with the technical sophistication of the Hope and Crosby road movies from the 1940s.
 They just sit in front of projected location shots.  I say Thelma and Louise because Doug and Ben were just taking the piss when they said we should buy a van and shoot them on a boozy trip to Nelson.  So, they're out!   They can write up their own treatment if they want to star.  I think Rainbow and Suvarna, who would have been 2nd year art students, would make a good tripping balls Artsy Odd  Couple for this heist.  Rainbow has gone to Nelson but as she strikes me as a method actor, it's just as well.

Monday, February 27, 2017

BSA324, old storyboard, 27 February, 2017

Introduction





Segment one: Everybody is having trouble sharing




Segment two:  Emotional game "Name That Face!"







Segment three:  Problem solution #1: Hide the toy from the other person




Segment four:  That's Not Fair! people's court parody





Segment five:  Solution #2: ask someone you trust to mediate the dispute




Segment six:  solution #3:  Take turns with the toy




Segment seven:  A Quiet Story to Wrap Things Up


Segment eight:  Klohwii shares what she learned

There's a missing segment about music and emotions?  Don't know.  Anyway, what I've got needs to be timed out, and a 5-7 minute sequence selected to animate for my final project.

BSA324, Old colour tests and character styles, 27 February, 2017

I'm starting the semester with a fair amount of starter work.  I have my concept, 7 characters to choose from, script, and storyboard.  Inspired by the stop-motion animated film In the Attic: Who Has a Birthday Today? 

I want to push the character look away from traditional muppet-style puppets towards a mash up of objects that relate to the personality quirks of the characters.  For example, Goldie binge eats when she gets upset and will be made out of a swirl of uncooked pasta. 




Coco Crocodile

                                                                     Flash Rabbit
Goldie the binge-eating Hamster

Jellybean the Armadillo

Klohwii the Kid

Dr. Picklesniffer the Dog

Prickles Puffer Fish