Wednesday, June 8, 2016

BSA225, Pet is done! 8-9 June, 2016


Vaughn figured out where the trouble lay with Pet's colours- they weren't displaying in either of the render views until a snapshot was taken.  I was able to colour and give it some texture by grabbing faces, assigning a blinn and then changing the colours.  The blend shapes on his tail, mouth and beard are done!  Just need a blink.  I finally figured out how to make a blend shape with the eyes.  Work each eye separately, select eye in vertex mode, select r for squishing, then go through blend shape regimen.  Move on to next eye.  I did the same thing with the feet and got a weird thing going that will give it an alien gait.  I will practice a walk/hop cycle now.

Here it is in the bar:




Monday, June 6, 2016

BSA215 Drawing, artist model, 6 June, 2016



I was going for spooky, victorian, children in my pieces and nobody exemplifies that better than Edward Gorey and his Gashlycrumb Tinies.  I have always loved Neville, who died of ennui, his wee little head poking above the window frame.

BSA225, cantina lighting, again, 6 June, 2016


This is IT.  


This had better be the last time... I blew out all of hte lighting controls when I optimized the scene.  And didn't realize that's what I'd done until I'd fixed 6 sets of lights.  A happy accident, because I got the lighting right.  I think.  I changed on of the green spot lights to light brown and let it hit the walls.  So those are darker but still provide a lighter backdrop for the aliens.  The second picture shows what gave me the idea:  the green light highlights the walls.

BSA225, Pet, 6 June, 2016



He's starting to look cute!  He needs some face painting and I'm wondering if I can whack an elementary skeleton into the body to ease movements.  We'll see.

Saturday, June 4, 2016

BSA203, ProPrac, Pigment to Pixel gallery exhibition, 4 June, 2016

Hannah
I heard lots of good feedback of the exhibition as a whole.  People loved the multi-disciplinary approach, the diversity of projects, the layout... it all got good reviews.  Many third-year students said they were sorry that they never had a chance to be in an exhibition like this.  This must be the first year we've had this kind of project class instead of an essay writing class, so I'm happy that I had the opportunity to participate.
Johanna

Anna
Morgan
Aaron's Foley film

Aleisha Horton "Repose"

Anita McGowan "Distractions"



Chanel Taylor




Douglas Bishop's "Reflections"

Glenn Fredric

Jesse Lee

Jo Pryde

Josh Clive

Kate White

Kenway Kim "Roots Entwined"

Kevin Reid

Lenar Viernes

Madilyn Davidson

Ned Torday-Smith

Nicola Abbott

Reuben Hayward

Ryan Walker

Zoe Euston


BSA203, ProPrac, Pigment to Pixel display, 4 June, 2016

 Ashes to Gold animatic
Link to the animatic "Ashes to Gold".  This is playing in the Raw Gallery for our exhibition.  It's four and a half minutes of "sketches" that may or may not be included in the final video.  It features original music from Deb Wattes which she composed and then recorded on the Garage Band software/app.  It is surprisingly gritty and I love how it enhances the animation.  Deb will work on recording it again with live musicians and will eventually add vocals to the mix.  I'm looking forward to hearing what she comes up with!



The Reader/Author doll

Miniature version of The Book, as yet untitled.  I thought about calling it "Love and Other Lesser Fairytales", but that felt too bitter and too definite.  I will keep thinking about it.  Maybe the title will keep changing during the video?  Jo Pryde seemed to have fun reading through the smaller version.  As a piece to interact with, it's more successful than the large version which you can just nonchalantly flip through.



Larger version of The Book, also untitled.  This is a less successful experiment.  The paper weight is too weak for the bigger version and the cover of the book is too large and doesn't support it.  The pages are getting bent and crumpled.  I expect that a tear is imminent unless I paste supports into every bend.  I have other projects to move onto, though, so go with God, bigger book; you're on your own for two weeks.  If I reprint it on tougher paper and make the covers smaller, it will hold up to being displayed accordion-style.










 I like how it was displayed in the gallery.  Grouping the objects together with the screen was effective.  I'm happy that a small but tallish plinth was still available.

To Do list, 4-7 June, 2016

Drawing
3 drawings of architectural spaces and people on A2 for Tuesday
print photos of stairs and take paper home

Audio
finish listening to ADR recordings and clean out junk

film history
read all research and take notes for Tim Burton and German Expressionism 1000 word paper

Project
export version to vimeo
confer with Deb Wattes on next steps
take pictures of works in gallery
update blog with evaluation questions and answers

BSA225 and 226
make blend shapes and re-rig character
weight character
up ambient lighting in cantina for safety
finish Pet
begin animating scenes