Glenn will make a library of foley sounds while I sort through the ADR recordings we made at SIT sound Friday night. I will assign each file to it's line name- first initial of speaker plus number of line of dialogue ex. N1, N16 etc. for Neo.
mixing levels
0 is too loud and distorted
floor noise around -36, dialogues around -24, loud noises -12
watch clip to note where noise levels are
Neo
-36 listening to music
foley peaked at -27, putting down headphones
boom jumps to -21
whispering is -42
knock knock up to -9
who's is it shoult-24
door slame-15
room tone, floor noise around-54 never silent
club noise up to -15, -12 drops down to -24 before they start talking
conversation with trinity betwen -21 and -18
Audio track, assigned line name and number, dialogue
Reuben as Neo
track 1- N1-N7
track 2 delete
3- delete
4- delete
5 delete
6 N1-23 incomplete
7-delete
2-01 exhaling
3.44_15 N18: How do you know that name?
3.44_16 N20 pt 1 Trinity. The Trinity?
3.44_17 N20-21 That cracked the IRS d-base? Jesus.
3.44_18 N22-23 I just thought um... you were a guy.
3.01 N1 What?
3.02 delete
3.03 delete
3.04 delete
3.05 N2-3a What the hell? Follow the White Rabbit?
3.06 N2-3b What the hell? Follow the white Rabbit?
3.07 N4-5 exhales. who is it?
3.08 N7-9 You're two hours late. You got the money? hold on.
3.09 delete
3.10 N11-12a right. my computer ("it" is inaudible)
3.11 N11-12b right. my computer it..
3.12 N14 You ever have that feeling where you're not sure if you're awake or still dreaming?
3.13 N15-17 No, I can't, I have uh.. work tomorrow. exhales yeah, sure, I'll go.
3.14 N18-23 Who are you? Trinity. The trinity? that cracked the IRS d-base? Jesus. I just thought, um... you were a guy.
Brad as Choi
DuJou-Glenn.61_08 C9a Something wrong, man? You know, you look a little whiter than usual.
DuJou_Glenn.66.09_01 C9b Something wrong, man? You know, you look a little whiter than usual.
DuJour_Glenn72_10 C9c you know, you look a little whiter than usual
DuJour_Glenn72_11 C10 mmm, all the time. It's called mescaline. It's the only way to fly.
DuJour_Glenn88_12 deleted
DuJour_Glenn88_13 C11a Hey, now this just sounds to me like, you know, you need to unplug, man.
DuJour_Glenn88_14 deleted
DuJour_Glenn88_15 C11b Hey, now this just sounds to me like, you know, you need to unplug, man.
DuJour_Glenn88_16 C12a You know, get some R and R.
DuJour_Glenn88_17 C12b You know, get some R and R.
DuJour_Glenn111_18 C12 what do you think, DuJour? Should we take him with us?
DuJou_Glenn_01 C1 It's Choi.
DuJou_Glenn_02 C2-4 I know. It's her fault. sigh. Two grand.
DuJou_Glenn_03 C5 Hallelujah. You're my savior, man.
DuJou_Glenn_04 C6-7a exhales. My own personal Jesus Christ
DuJou_Glenn_05 C6-7b exhales. My own personal Jesus Christ
DuJou_Glenn_06 C8a Yeah, I know, this never happened.
DuJou_Glenn_07 C8b Yeah, I know, this never happened. You don't exist.
Lady.03_02 DJ2a Definitely. Come on. It'll be fun. I promise...
Lady.10_03 DJ2b Definitely. Come on. It'll be fun. I promise...
Lady_01 DJ1-2c lip smacking
Traci_Trinity.29_08 T4-5a That was a long time ago. What?
Traci_Trinity.29_09 T6a Most guys do.
Traci_Trinity.29_10 T6b Most guys do.
Traci_Trinity_01 T1 Hello, Neo.
Traci_Trinity_02 T1b Hello, Neo.
Traci_Trinity_03 T2a I know a lot about you.
Traci_Trinity_04 T2b I know a lot about you.
Traci_Trinity_05 T3a My name is Trinity.
Traci_Trinity_06 T3b My name is Trinity.
Traci_Trinity_07 T4-5b That was a long time ago. What?
How to set up a bus? in Pro Tools for reverb in the scene
characters are all inside. we recorded ADR in "dead space" so we need reverb to bring voices into the space. just need a little bit so you don't notice it's there. too much sounds like inside a tin can. The bus keeps the processing power down, so you don't put it on every track, and you can control where the reverb goes.
new track, stereo, aux track
make sure inserts a-e and sends a-e have been selected next to track.
right click under insert multi-channel plug in reverb, d verb
no input bust 1-2
under sends, choose voice track you want to go to the bus. slider will come up so you can control how much reverb goes on each track
How to hand in:
create a folder with both names on it.
in Y drive, there will be clear instructions on how to label everything so it can found by Vaughn during the marking period
sound sheet: make list of all things we did not record ourselves: foley and music sources, so there is no plagiarism.
turn in a .mov with tracks attached to it.
all midi info should be gone from file for final hand in
solo everything for bounce out or mute all things you don't want included, like original movie and track
save as main line out/stereo, WAV and format interleaved, name it final mix
once bounced out, bring it into mix again and solo it. make sur eit runs full length of movie an dnot just a bit.
solo it and movie and bounce out to quick time? save with our names on it.
listen to the whole mix to make sure something weird wasn't introduced.
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